Meighan O’Brien
Orphan Girl
I began to write this story when the pandemic was raging and I was caring for my mother. Her dementia was severe and I found that as her mind faded, she became affectionate and warm. This newfound closeness felt tender and yet grief consumed me as I realized how barren and defended our shared life had been prior to this moment.
In a ceramics class during this time, I found myself shaping a clay baby with a chain growing out of her umbilicus. I became aware that the chain was how I imagined my relationship to my family’s bloodline, especially my mother’s. The brittle links symbolized the estrangement I had always felt with my mother as she had with her mother, and so on back through the generations.
I remembered the story of my grandmother being orphaned as a toddler, and then it all made sense; my hands had made the hollowed out form of Orphan Girl. She was my grandmother, my mother and she was me. As my mother lay dying, I felt the renewed urgency to write our shared story. I hoped to not only find my own voice, finally, but the home in my heart where we could all belong.
This story celebrates the journey from the orphanage and asylum to the embrace of a strong mother’s love, found in the arms of her daughter.
“Mother’s Past, Daughter’s Future”
at the San Francisco Fringe Festival
Orphan Girl
Created and Performed by Meighan O’Brien
In Orphan Girl, Meighan weaves together physical theater, dramatic monologue, and song to explore the haunting legacy of how emotional absence can orphan a young child. Through a visceral and intimate solo performance, she invites the audience into a generational reckoning—one where the echoes of unspoken grief find their voice and the longing for love forges a live ripple through a heart’s bloodline long neglected.
Can we transform inherited silence into connection? Can we reshape the cold relics of the past—a chain of emptiness, a stone cold bone—into new life, filled with meaning and care? With raw vulnerability and fierce artistry, Orphan Girl dares us to confront our personal history and asks: is it possible to turn our very own Density of Absence into love?
“The One”
Created and Performed by Andrea Parson
“In order to love somebody else, you have to love yourself first.” That’s what her mother told her when she was eight. Thirty years later, Andrea still wonders—was she right? The self-help gurus echo the same mantra: to find The One, you must first fall madly in love with yourself. Oh God…
In The One, multidisciplinary artist Andrea Parson dives headfirst into the slippery world of self-love and the search for connection. Is The One a romantic partner? A higher self? A Divine presence? Or a mystical feline named couts?
Blending evocative movement, heartfelt storytelling, and a playful clown sensibility, Andrea explores the modern obsession with finding love through the unexpected lens of a 14th-century medieval anchoress—those radical women who chose to live enclosed in tiny cells attached to churches as brides of Christ. For real.
Witty, sacred, and deeply personal, The One is a solo performance that dances between past and present, absurdity and truth, sacred longing and laugh-out-loud confession. Join Andrea on a journey where love might be elusive, but the search is everything.
Two solo performances
The San Francisco Fringe Festival
Friday August 8 7:00pm
Saturday August 9 5:00pm
Sunday August 10 12:30pm
Exit Theater San Francisco
276 Taylor Street
Bio
Meighan O’Brien is a dedicated performer and emerging solo artist. In March 2025, she workshopped and performed her original solo piece, Orphan Girl, at Dell’Arte in Blue Lake, California, incorporating original music and personal storytelling. She appeared as Mother Superior in Ferndale Repertory Theatre’s 2023 production of Sister Act, where she sang two solos, danced in a large ensemble number, and brought the house down in the show’s finale alongside the leading lady. Meighan previously portrayed Sister Margareta in the 2015 Mainstage production of The Sound of Music at the Arkley Center in Eureka, California, performing with a professional cast in a beloved classic. She has studied acting with Ruthe Engelke (2016) and at Monterey Peninsula College (2021).